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The comparison with CoBrA in the work of Wouter Stips is soon made. He works with the same spirit and energy of the Cobra-artists like Corneille, Karel Appel, Lucebert, Constant, Eugene Brands, Pederson a.o. His works are being collected by Cobra-collectors worldwide. His colorful bright and childlike style is very much his own. read more

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The comparison with CoBrA in the work of Wouter Stips is soon made. He works with the same spirit and energy of the Cobra-artists like Corneille, Karel Appel, Lucebert, Constant, Eugene Brands, Pederson a.o. His works are being collected by Cobra-collectors worldwide. His colorful bright and childlike style is very much his own.

One of the key features of the CoBrA movement was, of course, its multidisciplinary aspect. You could write, compose poetry, draw, paint, produce sculptures; you could even sing. And that is something that you see in the work of Stips.
He seizes every opportunity to manifest his ideas in a material that appeals to him, that arouses his creativity. A thought suddenly arises, ‘Aha, I can make an image out of that’ and then he begins, like a man possessed, to make a series of images, figures or books. And then he continues making pictures lithographs, prints, silk-screen prints, music. This is something intrinsic to Stips to CoBrA, and actually to the open-mindedness of a child as well. It its simple lack of inhibition.

You do what you enjoy, and what you don’t enjoy, you avoid. This is the way he thinks, and lives. When, at a certain moment, he was a successful television and film director, he simply quit that world in order to take up painting again, writing and sculpting full-time. Without hesitating back to his roots; that is something admirable. ( Leo Duppen – past president of the Amstelveen Cobra Museum in “Alle dagen feest”, a book about Stips’ work and worldwide projects )

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